Hello there!
CBC and I are pretty hopeless when it comes to planning our weekends. We survive the week at school and get to the weekend and start to wonder what we could do.
Luckily, this weekend, CBC had been looking at the Ballet Rambert performance at Sadler's Wells theatre in Angel, London and I came home on Friday to discover he'd booked a pair of tickets for us to go and see it.
If you've not heard of them, they are a contemporary dance company. I studied contemporary dance as part of my A'level performing arts so I do enjoy seeing contemporary dance. The last contemporary dance we saw was Akram Khan also at the Sadler's well which I was enamoured by.
Here's the
Sadler's Wells summary of what we saw which was a triple bill of three pieces:
Rambert, Britain’s national dance company brings dances about love, art and rock ’n’ roll to Sadler’s Wells.
In Transfigured Night two lovers meet by moonlight, and a dark secret threatens to tear them apart. Created by two-time Olivier Award-winning choreographer Kim Brandstrup, it is a dramatic love story, with intimate duets and spectacular ensemble dancing amplifying the beauty and romance of itsSchoenberg score.
The 3 Dancers is based on one of Picasso’s greatest paintings, and the tragic love triangle that inspired it. Choreographer Didy Veldman and composerElena Kats-Chernin bring to life Picasso’s vivid Cubist imagery and the themes of love, desire and betrayal which fill his work.
Topping the bill is a final chance to see Rooster, Christopher Bruce’s funny, thrilling smash hit celebrating the swinging sixties. Sharp-dressed, snake-hipped men dance to impress strong, sassy women, to the pulsating rock ’n’ roll of the Rolling Stones’ most famous tunes, including Not Fade Away, Paint It Black, Sympathy for the Devil and Little Red Rooster.
The 3 dancers was first and was very beautiful. At the start, there was a great interplay between the dancers in black and the dancers in white and use was made of the shadows and lighting wonderfully. Some minimal 'scenery' was three mirrored shards of glass which struck the stage at various times. The interplay between the sets of dancers in their opposed monochrome shades changed dramatically as different relationships developed between the dancers. The music was an intriguing subdued tango mood and was very suitable as it had a beautiful suppressed passion.
Transfigured night was based on a gorgeous piece by Arnold Schoenberg which I have played called
Verklarte (umlaut needed on the a)
Nacht. The music is wonderful and was lusciously played. The dancing was really beautiful and very emotional. The female lead was tortured by her secret (which is actually that she is pregnant with another man's child, who she met before her current lover) and the feelings of despair as she tried to explain to her lover was well expressed through her dance. A wonderful sequence of remembrance on her part of young innocence was enacted through a younger couple who danced with effervescent fluidity and joy. Thankfully at the end, her lover returned. I loved this.
The final piece was
Rooser which was hysterical! It was based on a Rolling Stones score and was so witty and so completely other to the previous two dances. I've never seen funny contemporary dance before and I am glad I did. One of the best moves was this pedestrian rooster strut (a bit like a chicken walk, but a very upright one! You can see it brieefly in the clip
here) that the men in the dance did at times which had all the audience giggling. Ruby Tuesday, a flowing dance performed by a danger in long red billowing robes was preceeded by a Rooster who just couldn't cope with all the beauty of her. I've not really listened to the Rolling Stones before and I was impressed with their music- such intelligence in the music and lyrics and really wonderful instrumentation- there was even a recorder in there! I'd definitely like to hear more.
I thought I'd share a very simple outfit that I wore.Nothing too fancy but I quite liked the combination of items. The whole outfit stemmed from that blue fox scarf (from Haltwhistle) which had to be paired with the fox brooch. I felt more orange was needed to added this River Island skirt which is one of my few orange items.
And a sparkly beret for the journey!
I was very comfy as I'd wear this top for hanging around at home.I'd love to get really dressed up for the theatre but I think I'd prefer to be comfy in my seat so this was just the trick.
I put the brooch on accidentally at a jaunty angle so I was amused to see this picture in which Foxy and I had our heads on one side! What a childish sense of humour I do have!
Have you seen any contemporary dance at all?
How would you dress for the theatre?
And what is 528474 x 76?
xxx